אמהות ובנות – העלילה האסורה
דיון בעיקר במחזותיה של מרים קייני בבתא וסוף עונת החלומות
DOI:
https://doi.org/10.64166/5ah1kz48תקציר
In this article I discuss two plays by Miriam Kainy: Babtha and The End of the Dreams Season. In these plays, Kainy presents strong, tough women characters and focuses on the complicated mother-daughter relationship. My intention here is to reveal Kainy’s risky and outstanding contribution to the ongoing discourse on mothers and daughters. In the first section of the article I discuss the feminist psychoanalytical theory which strives to undo the problematic conflict between mother and daughter. In the second section I focus on the analysis of Kainy’s plays. By employing feminist research tools I seek to lay bare her Marxist interpretation of the mother-daughter plot.
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